Sicilian Baroque—the dramatic power of its architecture and the emotional power of its decorative art - are well known. Numerous studies, most of them in Italian, have been made, ranging from a focus on the major Sicilian towns or on architectural themes like churches and villas to an examination of its chronology, but none of these gives a comprehensive view.
This book looks at the subject from a difference
perspective, defining what makes the Baroque of Sicily distinctive. How
does it differ from the Baroque in other countries and in other Italian
regions, such as Rome and Piedmont? How was it possible to impose that
particular character upon churches and palaces, sculpture and painting?
What was the role of cities such as Palermo and Catania, and smaller
towns like Noto? To what extent did it absorb styles from abroad?